Some people say luck is the intersection of hard work and opportunity. On Take Good Care - their fourth full-length album and first for Loma Vista Recordings - The Revivalists chronicle, catalog, and capture an unbelievable ride where ten years of tireless hard work would be unexpectedly revved up by the wrongly dubbed “overnight success” of the platinum-selling number one single “Wish I Knew You.” Like any enduring band worth its salt, they reacted the best way possible to newfound popularity - by buckling down and turning up with an album chock full of tunes worthy of even greater success. It’s the result of a trip that unassumingly commenced in 2008 with hundreds of underground shows yearly and culminated 10 years later with not only “Wish I Knew You,” but three years of back-to-back sold out headline tours in their biggest venues to date. In life, like rock ‘n’ roll, some questions get answered while others stay unanswered. Our personal backroads tuck, twist, and turn through ups, downs, and everything in between at light speed, sometimes without explanation or a moment for reflection. Mirroring the push-and-pull of the past few years, the boys—David Shaw [lead vocals, guitar], Zack Feinberg [guitar], Andrew Campanelli [drums], George Gekas [bass], Ed Williams [pedal steel guitar], Rob Ingraham [saxophone], Michael Girardot [keyboard, trumpet], and PJ Howard [drums, percussion]—deliver a bevy of anthems marked by moments of sonic complexity, celebration, and catharsis.
“As far as the music goes, sometimes I just have a feeling, and it comes through in a song,” says David. “I don’t know what it is, but it makes me feel something. I wanted this album to be simply about that. Making the new music has been a bit of a cathartic process for me—just to get some of these feelings out, lose myself in the art, and become someone else. Songwriting is the great escape. It’s where I can be who I want to be. It’s been three years of touring our asses off, writing in between, and honing our craft. Then, ‘Wish I Knew You’ happened. Everything got even crazier. This album basically came together the way we always make records though. It’s simply a collection of songs from where we were at that point in our lives. We didn’t want to divert too much from what we’ve always been, but we wanted to take it to the next level and continue that trajectory of our artistry and creativity.”
Simultaneously, life was rapidly changing around the band, and the music spoke to that.
“Everything going on these past few years certainly informed the direction,” David continues. “I don’t know if I was ready for some of what transpired emotionally. I got personal on some of the songs. I said some things I might not have otherwise. Thankfully, I have a good family network and amazing girlfriend to balance all of the changes.”
“We were fortunate enough to have this ‘hit’ on the last record, and things have changed,” adds Andrew. “We had to keep pushing forward.”
For the first time, The Revivalists recorded and co-wrote with multiple producers and writers, enlisting the talents of Dave Cobb [Sturgill Simpson, Chris Stapleton], Andrew Dawson [Kanye West, Fun., Sleigh Bells], and Dave Bassett [Elle King, Vance Joy] for sessions in New Orleans and Nashville, which became a hub for the band. They spent three weeks recording at the iconic RCA Studio B, soaking up the aura of one of the most storied studios in music and the city’s great musical history. Additionally, it would be the first record with drummer/percussionist PJ joining the band in the studio.
Bringing sixty songs to the table, the guys whittled the batch down to the best fourteen of the bunch.
Andrew continues, “On the first few records, we were figuring out what our identity is, so we were really involved in the minutia of recording. After all this time, we have an identity, and it’s more based in our songs. We were able to let go and allow these producers to take us into a direction that we wouldn’t go on our own. We got to explore a little more. Being ten years in empowered us to do that.”
“We had the opportunity to work with more people, which was amazing,” David goes on. “The main difference was having this team and the chance to co-write. It really elevated our craft in a way that I don’t think we ever thought about previously. We were all working together in the studio, while keeping the true heart and soul of the band intact through the whole process.”
The first single “All My Friends” – which became an instant #1 Triple A and Top 5 Alternative radio hit and landed the band on The Late Show with Stephen Colbert as well as numerous key Spotify and Apple Music playlists - speaks to that spirit. Driven by swaggering piano, boisterous horns, and bluesy leads, the track swings towards an unshakable chant, “All my friends take good care of me.” Striking, sharp, and soulful, it introduces this chapter with confidence and charisma.
“I actually wrote those verses when I was 27,” says David. “I met up with Dave Bassett in Malibu, where I did some writing sessions, and I brought the lyrics to the table. It’s a bit of a retrospective look back. You’re in your twenties, staying out for three days, not contacting your significant other, and getting into some bad shit. Looking back, I realized, I had an amazing group of friends who stuck by my side.”
“Musically, it bridges the gap between what we’ve been doing and what you’re about to hear,” explains Andrew.
Illuminating their effortless chemistry, the opener “Otherside of Paradise” came to life in just one vocal take with “no trickery or anything” bolstered by fingerpicked clean guitars and cathedral-size harmonies. Second single, the #1 Triple A and Top 15 Alternative hit “Change,” which the band performed on TODAY and became the band’s third Mediabase #1 in a row at the Triple A format, climaxes on a raw howl. Elsewhere, the guttural grooves of “Oh No” spiral towards a fret-burning solo as wild and gritty as David’s delivery. “Hate To Love You” hinges on the kind of confessions typically reserved for holy counsel, Written by Andrew, “You Said It All” illuminates the dynamics at the heart of the record.
“I was going through a point in my life where I was thinking about situations with significant others,” Andrew elaborates. “To me, it was the idea that when you’ve come to the end of something and put it all out there, there’s nothing left to say. You’re in that reflective state of being alone.”
On the anti-gun violence anthem “Shoot You Down,” The Revivalists speak out against the overwhelming gun violence problem in our society. Deeply affected by the frequent mass shootings, the band felt compelled to put pen to paper and address this issue. The result is a powerful song that serves as both an emotional balm and, more importantly, a call to action.
"‘Shoot You Down’ is a song that was written straight from the heart earlier this year,” shares David. “It’s an anti-gun violence song meant to bring awareness to a very serious and increasing issue that we currently have in this country. We believe that music has the power to change minds and lives. This is our pledge to survivors and victims. We love you and we are with you. Together we will make a change. Let’s show each other love, compassion and understanding. Hate has no place in our world.”
Representing a vast swath of the country and defying regional pigeonholes, David’s roots are in the Rust Belt, while Zack, Ed, and George hail from the Tri-States and Michael and Rob from the Southwest. Andrew cut his teeth bashing the drums in the DC scene and newcomer PJ made his bones in Chicago. However, the Crescent City would ultimately bring them together. Since forming in New Orleans, the group quietly grinded towards international ubiquity one gig, song, and album at a time. Seven years in, 2015’s Men Amongst Mountains represented a high watermark. Its lead single “Wish I Knew You” became a slow-burning hit, racking up more than 200 million streams and ascending to #1 on Adult Alternative and Alternative radio. On the latter, it clocked a record for “most single-week spins ever at the format” before eventually receiving a gold certification from the RIAA. A mainstream phenomenon, the song found traction at Hot AC and Top 40 and bubbled up on to the Billboard Hot 100 for nine weeks.
The Revivalists have now garnered more than 410 million total streams, have drawn praise from the likes of Rolling Stone, NPR, Billboard, Buzzfeed, Entertainment Weekly, USA Today, Forbes, Salon, Huff Post, Grammy.com, Alternative Press, Paste, UPROXX, Flaunt, Nylon, Interview, No Depression, and more, performed on Austin City Limits, The Late Show with Stephen Colbert, Jimmy Kimmel LIVE!, Ellen, TODAY, Conan, and NCIS: New Orleans, and even opened for The Rolling Stones. They were nominated for a Billboard Music Award and two iHeartRadio Music Awards and were named Billboard’s Top New Rock Artist of 2017. Between sold-out shows at their biggest venues yet, including Beacon Theatre and Red Rocks, the band has also ignited festival stages at Bonnaroo, Governor’s Ball, Lollapalooza, New Orleans Jazz Fest, Outside Lands, and Pilgrimage, to name a few.
Most recently, the band released their Made In Muscle Shoals live studio EP and accompanying documentary, which was recorded and filmed at the legendary FAME Recording Studio in Muscle Shoals, Alabama and directed by Jay Sansone of Human Being Media. Capturing the essence of The Revivalists at this exciting time in their 10-year journey, the documentary gives the deepest insight yet into what makes the band tick against the backdrop of Muscle Shoals, a location steeped in the many classic styles of American music that informs the New Orleans-based band’s signature sound. The Revivalists bring us into the studio with them as they record the Made In Muscle Shoals EP which features brilliant re-imaginings of the band’s hits “Oh No,” “You & I,” “Change,” and “All My Friends” from Take Good Care, as well as a soulful rendition of The Bee Gees’ “To Love Somebody,” a gorgeous stripped down piano-and-vocal take of “Wish I Knew You,” and a never-before-released, brand new song “Bitter End” about being stuck in a one-sided love.
They also announced their philanthropic umbrella fund, Rev Causes, which supports the essential work of organizations dedicated to reviving and investing in our communities, health, and environment. $1 from every ticket sold will be donated to a variety of organizations that are close to the band’s heart, including Center for Disaster Philanthropy, Everytown For Gun Safety Support Fund, National Alliance on Mental Illness (NAMI), Songs for Kids Foundation, and Upturn Arts.
Looking back, David smiles, “It’s been quite the ride.”
In the end, The Revivalists welcome listeners on this journey with them as they set out with a newfound depth and ambition.
“As we went along, we found there are more questions than answers, and we’re all sort of figuring it out,” concludes Andrew. “We’re all doing the same thing. We hope people listen to the record and maybe can go out and keep making connections. That’s what we’re supposed to do. It’s the human experience.”
“We’re in this together,” David leaves off. “We love to take people on an emotional rollercoaster with us. That’s what this record is. It’s who we are. There’s some real magic in that.”